Nashville rock n rollers Oddnote just released a self-titled album this month, barely half a year after the band’s inception. Founded by Arman Asadsangabi, Oddnote hearkens back to the vibe of Soundgarden, Audioslave, and Nirvana, with a little Crobot thrown in for good measure. The album has fourteen tracks in total, but they’re all pretty short… Continue reading Album Review: Oddnote’s Self-Titled
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Album Review: Broken Bottles, Broken Bones by The Ratz
By Jeff McCarthy The album Broken Bottles, Broken Bones is completely raw jams, with definitive tones of the presumed-dead punk rock of the early 80s. In these uninhibited short anthems, I can taste a little Bad Brains, a touch of Ramones and a slathering Sex Pistols. Fuck you Johnny London, Donald Trump sucks!! The Ratz… Continue reading Album Review: Broken Bottles, Broken Bones by The Ratz
Album Review: Marty McKay’s New York City Dreams
In his upcoming album New York City Dreams, Zurich-based rock artist Marty McKay presents a “Lifetime Original” vision of what could be across the Atlantic. His Big Apple is an expected path of standard song structures, lyrics, and vocal arrangements that will be at home on soft contemporary radio, but probably won’t inspire much passion… Continue reading Album Review: Marty McKay’s New York City Dreams
Bair Grills: Sorceress by Opeth
After 34 years of listening to a wide spectrum of musical genres, few bands that I’ve encountered have transcended labels and specifications to the degree that Opeth has. Most groups fit comfortably into a niche, but others defy description by such menial means. With Sorceress, founder and frontman Mikael Akerfeldt continues his magnificent musical progression.… Continue reading Bair Grills: Sorceress by Opeth