Listening Lately: Tantivy, Caravan of Doom, and Many More

My old buddy Curtis Dewar asked how I would keep up with all the blog stuff once the school year resumed; I told him I had no idea!  But somehow, it all continues… In the car, I’ve mostly been listening to Misfits’ American Psycho, Valkyrie’s Shadows, and a burned disc with some Brimstone Coven, Witch… Continue reading Listening Lately: Tantivy, Caravan of Doom, and Many More

Album Review: Utgard by Enslaved (Nuclear Blast, Oct. 2nd)

The term progressive is tossed around the metal world often, an adjective readily applied to bands across the myriad of sub-genres.  Throw “progressive” in front of any standard description and it instantly adds a level of technicality and arrangement not found in the genre as a whole.  Taking it a step further, bands that operate… Continue reading Album Review: Utgard by Enslaved (Nuclear Blast, Oct. 2nd)

Album Review: Lindsay Schoolcraft, Worlds Away (Cyber Proxy Records, October 9th)

What is it about the harp that makes it sound so mystical, so spiritual, so enchanting? This graceful trinity of feelings are everywhere on Worlds Away, the latest offering by multi-instrumentalist Lindsay Schoolcraft. Celebrating a decade as a solo artist, the album sees Schoolcraft and her harp explore new musical territories with rearrangements of previously… Continue reading Album Review: Lindsay Schoolcraft, Worlds Away (Cyber Proxy Records, October 9th)