Review: Symphony of Malice’s Judgement Day

Symphony of Malice

  In the late 70’s and early 80’s bands like Diamond Head, Tygers Of Pan Tang, Samson, and Witchfinder General buried the blues base of Black Sabbath and Deep Purple in favor of quicker tempos, tough-guy guitar riffs, and a denim-clad aesthetic.  This movement became known as the New Wave Of British Heavy Metal and… Continue reading Review: Symphony of Malice’s Judgement Day

ERMAHGERDDDDDDD, The Big Hiatus!

In a move that will leave a gaping hole in the entire Connecticut music scene, er, a tiny blip in the bar band circle of one Connecticut city, I’m taking a break from playing in bands.  It might last six months, it might last until somebody really wants Pink Missile to play a show with… Continue reading ERMAHGERDDDDDDD, The Big Hiatus!

Bonded Through Hate’s Doomsday: The Rise of Valhalla

By Jeffrey Miles It is no secret I have a soft spot for old-school, Swedish death metal.  Bands like Entombed, Grave, Dismember, and Unleashed have always been held in high regard and I’m continually comparing new bands to these greats, most of the time with little success.  Outside of Entrails, this is a style of… Continue reading Bonded Through Hate’s Doomsday: The Rise of Valhalla

Bair Witness: Extra-Sensory Performance by Keith Zalinger

On October 17th, 2012, the chalkboard outside of Anna Liffey’s Pub in New Haven said “Magic Show.” I’m certain that some of those attending expected sword-swallowing or rabbits out of hats or women sawed in half. Without a doubt, the impression given by the sharp-dressed man and his young lady counterpart might have inspired visions… Continue reading Bair Witness: Extra-Sensory Performance by Keith Zalinger

“My” Danbury: Not Dead Yet?

  I didn’t grow up in Danbury, but I grew up in Danbury.  It’s the city where I learned to work hard.  It’s where I met my best friends and where I met my husband.  (On a Saturday morning at the Three Brothers Diner — from the minute I saw him, I knew he was… Continue reading “My” Danbury: Not Dead Yet?

Review of New Xenosis Album Haunted Skies

Progressive death metal is an oft-overlooked genre in the vast expanses of Metal-dom.  While sharing in the knuckle-dragging brutality of traditional death metal, the progressive side adds elements of jazz and prog-rock to create a more cerebral, angular product.  The newest release from CT-based Xenosis, entitled Haunted Skies, is tech-death to the core and an… Continue reading Review of New Xenosis Album Haunted Skies

Warstrike 666’s Weapon A on Black Metal, Family, and “The Scene”

If somebody could be called the godfather of Stamford’s heavy music crowd, it would be Angel Blood.  Playing metal since 1993, the vocalist and multi-instrumentalist has been part of too many bands to count: From Below, Baphomet’s Horns, Age Old Nemesis, Infernal Solstice, and Arcane Malevolence, just to name a few.  Angel’s — or, Weapon… Continue reading Warstrike 666’s Weapon A on Black Metal, Family, and “The Scene”