Album Review: Marty McKay’s New York City Dreams

In his upcoming album New York City Dreams, Zurich-based rock artist Marty McKay presents a “Lifetime Original” vision of what could be across the Atlantic.  His Big Apple is an expected path of standard song structures, lyrics, and vocal arrangements that will be at home on soft contemporary radio, but probably won’t inspire much passion… Continue reading Album Review: Marty McKay’s New York City Dreams

Baldwin’s Choice: Miles Davis

UNITED STATES - JULY 02: NEWPORT JAZZ FESTIVAL Photo of Miles DAVIS, Performing live onstage - looking to camera. (Photo by David Redfern/Redferns)

It’s Black History Month and my choice is Miles Davis. So many things have been said about the man’s brilliance and importance. He’s regarded as one of the 20th century’s top composers. And the reasons for it are chocked full with so much music theory bullshit. I don’t know how to play jazz music, and… Continue reading Baldwin’s Choice: Miles Davis

HAAN to Sing Praises in Waterbury on February 18th

HAAN is a plugged-in four piece from New York City that plays hard hitting and sludgy noise rock, as evidenced by their debut EP, Sing Praises. The band, which features vocalist Chuck Berrett, guitarist Jordan Melkin, bassist Dave Maffei and drummer Chris Enriquez, lays down one hell of a racket which is definitely informed by… Continue reading HAAN to Sing Praises in Waterbury on February 18th

AltCtrl’s Afternoon at the NYC Women’s March

When I first heard about the Women’s Marches in December, to be held around the nation on January 21, 2017, I knew this movement was something Alternative Control had to report on.  No matter how the mainstream media painted it, we the intrepid indie journalists would be there, marching and documenting what no one else would!… Continue reading AltCtrl’s Afternoon at the NYC Women’s March

SHOW REVIEW: Khemmis, Crypt Sermon, and Sanhedrin, January 14, 2017 // Brooklyn, NY

It was my maiden voyage to the seminal Brooklyn metal club Saint Vitus, and my GPS told me that I had “arrived.”  There was no marquee, no sign… Only a few long-haired dudes in jean jackets standing outside of a bodega, next to an unmarked black door with a cross over it.  Was this the… Continue reading SHOW REVIEW: Khemmis, Crypt Sermon, and Sanhedrin, January 14, 2017 // Brooklyn, NY

Baldwin’s Choice: Deathspell Omega

Heavy metal has been known for its extremity and controversy for a number of years, almost as long as it’s been a genre. Ever since Black Sabbath’s debut album in 1969, it’s challenged society’s acceptance and moralistic tolerance. Yet as years go on and once taboo facets of underground lifestyles become conventional, shocking the system… Continue reading Baldwin’s Choice: Deathspell Omega

Album Review: Verena von Horsten’s Alien Angel Super Death

In her new album Alien Angel Super Death, solo artist and multi-instrumentalist Verena von Horsten tackles the difficult topic of her brother’s suicide.  The ten synth-rock tracks are dark but still strangely catchy — especially for such a depressing topic.  “Fire” and “The Believer” will definitely be stuck in your head. Working out of New York… Continue reading Album Review: Verena von Horsten’s Alien Angel Super Death